Installation views of Scraper Silver and Scraper Black by Scraper Silver, in the exhibition Decisions at Kunstraum Pempelforter in Düsseldorf. David Mergelmeyer Scraper Silver, 2026 Faux leather, cotton filling, rope, steel, lacquer 120 x 30 x 20 cm David Mergelmeyer Scraper Black, 2023–2025 Synthetic fabric, polyest... Show more

We are glad to host an artist talk from 6–7 pm with artists Lisanne Haack and @micalnoelson and curator @kika discussing painting in the digital age, followed by the finissage of STILL WET from 7–9 pm this Saturday, September 5. Feel free to drop by if you are in Berlin! As seating is limited, please email info(a)gale... Show more

Installation views of The Dark Room by RJ in the exhibition STILL WET in Berlin. On view until September 5. RJ The Dark Room, 2026 Acrylic on canvas 30 x 40 cm Gesture undergoes a comparable widening, and here the interviews return, unprompted, to the same anxiety: that something essential to the hand-made image mig... Show more

Work and details of LA Night by Norman Harman. Harman's method is deceptively simple to describe and nearly impossible to repeat: a custom-built algorithm designed not to render but to corrupt, set loose on source imagery until faces smear, bodies fracture, and symbols come unmoored from what they once meant. What sur... Show more

Installation view of Dürers Rhinoceros (2026, animated) or the Imagination of the Thousand Kids by Manuel Tozzi at SP2 Gallery. The screening is running 24 hours a day this weekend, and is viewable through the window of the space, so anytime you drop by, you can enjoy the video! Manuel Tozzi Dürers Rhinoceros (2026, a... Show more

Last day today! Finissage 4-7pm. Norman Maýn Requiem Curated by Anne Hölck July 18 – August 8, 2026 Mariannenstrasse 33, 10999 Berlin

Last week to visit Requiem, the solo exhibition by Norman Maýn, curated by Anne Hölck, at Galerie Met. Norman Maýn Disorientation (Compression), 2026 Corrugated iron, steel, euro pallets, livestock farming equipment, wooden slats, corrugated sheets, corten steel, bark mulch Size variable Norman Maýn: Requiem Curated ... Show more

Installation view of Disorientation (Compression) by Norman Maýn, on view in his solo exhibition Requiem, curated by Anne Hölck, through August 8. Norman Maýn Disorientation (Compression), 2026 Corrugated iron, steel, euro pallets, livestock farming equipment, wooden slats, corrugated sheets, corten steel, bark mulch ... Show more

Installation views of Society of the Spectacles, RJ's solo exhibition. In Society of the Spectacles, RJ presents a collection of works centred on the symbol of the smart glasses. As an emerging technology that further extends and normalises our mediated observation of the physical world, they appear primarily in a ser... Show more

Counterspace P15 by @jiwa, from his solo exhibition Counterspace, on view at Galerie Met from January 31 to February 28, 2026. Jiwa Counterspace P15, 2025 Archival print on Hahnemühle Photo Rag paper 75 x 40 cm Unique DM to inquire.

Thank you to everyone who visited Society of the Spectacles, the solo exhibition by RJ at Glue Berlin this weekend. Congratulations and thank you to everyone who collected the works! And a special thanks to RJ for flying to Berlin to join us! RJ Society of the Spectacles July 25–26, 2026 Strassburger Strasse 53, 10405... Show more

Installation views of Norman Maýn's solo exhibition Requiem, curated by Anne Hölck. On view through August 8. With Requiem, Norman Maýn continues his exploration of the perpetuation of violence (against non-human animals) and of human, male guilt. The installation serves simultaneously as both a rupture and a bridge f... Show more

Installation view of Watching Me Watching You by RJ in his solo exhibition Society of the Spectacles at Glue Berlin. Reworking the iconic "Spider-Man pointing at Spider-Man" meme, Watching Me Watching You further explores the multiple roles we take on in our online-inflected lives. By reworking the circular nature of ... Show more