
Galerie Met
@galeriemet
Art gallery in Berlin with a focus on contemporary art and digital art. Also @magicetape.
galeriemet.com
This weekend, Vasil Berela will have two exhibitions opening: one on Saturday in Guangzhou, China, and one on Sunday in Magdeburg, Germany. You’re very welcome to join us if you are in either city.
The Shared Now
Emma Adler, Vasil Berela, Judith Blum Reddy, Kurt Buchwald, Göran Gnaudschun, Susie Hamilton, Mathilde Tij...
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SYNTHLORA by Ronen Tantrum is on view at Bonian Art Space in the 798 Art District, Beijing, until May 9.
SYNTHLORA is a collection of synthetic flora grown from e-waste, where discarded electronic matter is reconfigured into digital specimens that exist beyond the boundaries of the natural world. Drawing from the visu...
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Installation view and detail of 🜊 from the series Breaking Point by @loackme. On view until April 25.
Dithering was developed to approximate gradients and continuous tones within the constraints of limited colour palettes — a workaround born from the demands of early print and computing. It operates by distributing p...
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Installation view and detail of Within II from the series Inner Landscape by @loackme. On view until April 25.
Within II, 2025
PNG, 630x840 px, upscaled to 7560x10080 px
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Within II, 2025
Archival print on Hahnemühle Photo Rag Ultra Smooth
60 x 80 cm, hand-signed
Unique
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Installation views of Topology of Loss @loackme’s solo exhibition Playgrounds. On view until April 25.
Each work in this series begins with raw fractal noise and is put through a repetitive cycle of resizing and extreme JPEG compression. The codec, designed to discard visual information deemed imperceptible, starts pr...
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Topology of Loss #6 by @loackme, in the collection of @drleenft.eth.
After each recompression, a fresh layer of noise is reintroduced at partial opacity. Artifacts accumulate into a dense, fragmented image surface. Colour cycling and dithering are then used to animate the resulting image, revealing what the codec and ...
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Playgrounds by @loackme starts in 3 hours on Met Digital / @verse.
Topology of Loss (2026)
- 128 collector-curated animated works
- 12 unique digital and hand-signed prints (A3)
Inner Landscape (2025)
- 14 unique digital and hand-signed prints (A3, 45 × 60 cm, 60 × 80 cm)
- 1 animated work
Breaking Point (2024)
- 4 ...
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Installation view of Within I from the series Inner Landscape by @loackme.
Within I, 2025
PNG, 630x840 px, upscaled to 7560x10080 px
1/1
Within I, 2025
Archival print on Hahnemühle Photo Rag Ultra Smooth
60 x 80 cm, hand-signed
Unique
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Installation views of @loackme's solo exhibition Playgrounds. On view until April 25.
Playgrounds brings together three years of algorithmic tinkering. The work starts from a simple premise. Coding, as a creative practice, should be an act of play. Not play as leisure, but play as a mode of inquiry: using algorithms i...
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Galerie Met is pleased to collaborate with Bonian Art Space in China to present SYNTHLORA, a solo project by Ronen Tanchum in the 798 Art District in Beijing. Centered on a series of synthetic plants that “grow” from electronic waste, the exhibition foregrounds the artist’s most recent explorations in generative system...
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Installation view of Topology of Loss II from the series Topology of Loss by @loackme.
loackme
Topology of Loss II, 2026
PNG, 891x1260 px, upscaled to 3564x5040 px
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loackme
Topology of Loss II, 2026
Archival print on Hahnemühle Photo Rag Ultra Smooth
29.7 x 42 cm
Unique
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Installation view of On Your Sleeve from the series Inner Landscape by @loackme. On view until April 25.
loackme
On Your Sleeve, 2025
Archival print on Hahnemühle Photo Rag Ultra Smooth
29.7 x 42 cm
Unique
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Thank you to everyone who came to the opening of @loackme’s solo exhibition Playgrounds over the Easter holiday. On view until April 25!
loackme: Playgrounds
April 4 – April 25, 2026
Mariannenstraße 33, 10999 Berlin
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We are pleased to share that Vasil Berela is part of The Shared Now, a group exhibition at Kunstmuseum Magdeburg, opening April 26, 2026 at 5 pm, and on view through September 6, 2026.
In response to the exhibition’s reflection on a fragmented and unstable present, Berela approaches the theme from within, locating thi...
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