@adam-
UPIC (Unité Polyagogique Informatique du CEMAMu) is a graphical music‑composition system released in 1977. Composers draw shapes on a digitizing tablet; the drawings become waveforms or control data (horizontal = time, vertical = pitch)
It's ability to map a single drawing to timbre, pitch and rhythm made pieces like Mycènes Alpha possible and inspired later tools such as IanniX and HighC.
Conjured to life by Iannis Xenakis (1922 – 2001) who was a Greek‑French composer, engineer and architect. He initially was trained as an engineer and worked with Le Corbusier, where he applied mathematics (stochastic processes, set theory) and architectural thinking to music, producing influential works such as Metastasis, Pithoprakta and Mycénes Alpha.
In Paris he met avant‑garde figures including Edgard Varèse and worked alongside musique concrète pioneers at the GRM, notably Pierre Schaeffer.
Tape manipulation and concrete‑sound practices from that milieu informed his electronic and electroacoustic pieces. Xenakis combined these influences with his probabilistic and architectural methods to pioneer stochastic music, create orchestral, chamber and electroacoustic works.
With this place going full hog on the wallet aspect, I wanted to surface this for those who still come here for the things that initially drew them to this space @sinusoidalsnail @aviationdoctor.eth @july @chriscocreated @danicaswanson and others who feel this way, I hope this enlightens your day.