typo.eth (@typo) on Farcaster

typo.eth

@typo

www.typo.gallery/contact-stud... + /diptychs

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ᴄᴏɴᴛᴀᴄᴛ ꜱᴛᴜᴅɪᴇꜱ: ᴛʜʀᴇᴀᴅꜱ ᴀɴᴅ ᴀʀᴛɪꜰᴀᴄᴛꜱ ‘Contact Studies’ is a series of ten artworks presented in two collections: five deterministically generated, code-based one-of-ones and five maximally compressed, procedurally generated bitmap editions. These works, composed in-browser and preserved 100% onchain, honour five dec...

typo.gallery

Contact Studies by typo.eth

typo

diptychs

16h

Reflecting a bit. ‘HumanAfterAll #50’ by @marka captured by me, and ‘Sequels #173’ by Joel Meyerowitz collected via @fellowship — in my collection.

typo

diptychs

Various wave functions. A still from ‘{protohands} #54’ by @marka composed by me, and ‘Study for a theremin painting’ by @hafftka — in my collection.

typo

diptychs

The drawing board. ‘Artificial 6942’ by @hanrgb, and ‘Self Portrait’ by @hafftka — in my collection.

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diptychs

11d

Hash bangs. ‘CROSSHASH #14’ by @skominers, and ‘GAN FOOD FOR DEGENS’ by @kevinabosch — in my collection.

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diptychs

19d

To the moon and back. ‘Coin #596’ by Jan Robert Leegte, and ‘Uncensored #310 - GOD’ by Pak — collected via @verse.

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diptychs

22d

Lock, stock, and two smoking tokens. ‘Stock #2’ by @jack, and ‘TBAM Edition 547’ by @ripe — in my collection.

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diptychs

27d

Roll with the oneses. ‘#1’ and ‘1’ by @jack from ‘PLAY’ and ‘Full Set’ — in my collection.

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diptychs

28d

Perfect tens. ‘Discounted #10: 75% Off’ by @drivenbyboredom, and ‘Sequels #10’ by Joel Meyerowitz via @fellowship — in my collection.

typo

diptychs

1mo

Thank you for smoking. ‘Drag’ by @jack, and ‘TBAM 2781’ by @ripe — in my collection.

typo

diptychs

2mo

Through the looking glass. The calibration plate for ‘To Be A Machine’ by @ripe, and contact sheet #3386 by August Sander’s estate, presented by @fellowship — outbid and collected.