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mark mollé
@marmo.eth
Sharing a condensed version of a framework for communicating ideas in the age of Al-empowered creation. To make matters more memorable, the #IdeAction framework backronyms IDEA: inspiration, description, emotion, action. https://paragraph.xyz/@marmo/ideaction-an-intraconnected-framework-for-activating-ideation
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Maybe Im Wasabi〽️ pfp
Maybe Im Wasabi〽️
@maybeimwasabi
Very interesting read. Were you thinking primarily of visual art (ai) when writing? How do you feel this format differs from a typical Artist’s statement?
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mark mollé
@marmo.eth
(b) apply to an artist’s entire practice and not on a work-by-work, text-by-text basis, whereas the IdeAction is piece-specific and (c) often to be written in very abstract, art-speak-y terms, whereas the IdeAction encourages dropping down Hayakawa’s ladder of abstraction.
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Maybe Im Wasabi〽️
@maybeimwasabi
c) I know what you mean - I wonder about this often and am afraid that it’s what turns off people from participating in art, going to museums etc. but then I think - the same goes for any profession, right? At a high enough level, it does become hard to understand or communicate certain concepts in a super simplified
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Maybe Im Wasabi〽️
@maybeimwasabi
..way. I’ve tried to experiment a bit here - on unknownwomen.xyz I created an FAQ style artist’s statement, intentionally for this reason. May have still overshot a bit with too much content…(not trying to advertise my work btw genuinely sharing something i’ve been thinking about ie simplification of language i
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mark mollé
@marmo.eth
That could mean a couple of emotional states, from an anti-chronological, perhaps a kairological sense of needing to cling to a moment, to stop time dead in its tracks, or a defensive energy summoned to defend this new technology from its detractors. I would love to know the emotional state of this work's creation.
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Maybe Im Wasabi〽️
@maybeimwasabi
You are hitting exactly a few nails on the head here. It's impressive. Unknown Women is definitely seeped in the kairological - the need to cling to a moment, to stop time dead in its tracks. In a sense this project is a bit broad, introducing various themes with which I'm fascinated and
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Maybe Im Wasabi〽️
@maybeimwasabi
that I want to dive into more specifically as I share more work. *Time* as a concept is present in all my work - I think about it obsessively, it's fleeting nature, it's deeply relative nature (both individually and on a cultural level, especially from the angle of contemporary "busyness").
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Maybe Im Wasabi〽️
@maybeimwasabi
I signed physically each work to draw attention to both Time, and to the discourse of the Value of something we may or may not attribute to depending on the time, effort (and how that may be affected by the notion of "machine" vs. human in creation of the art.)
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