mark mollé
@marmo.eth
Sharing a condensed version of a framework for communicating ideas in the age of Al-empowered creation. To make matters more memorable, the #IdeAction framework backronyms IDEA: inspiration, description, emotion, action. https://paragraph.xyz/@marmo/ideaction-an-intraconnected-framework-for-activating-ideation
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Maybe Im Wasabi〽️
@maybeimwasabi
Very interesting read. Were you thinking primarily of visual art (ai) when writing? How do you feel this format differs from a typical Artist’s statement?
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mark mollé
@marmo.eth
(b) apply to an artist’s entire practice and not on a work-by-work, text-by-text basis, whereas the IdeAction is piece-specific and (c) often to be written in very abstract, art-speak-y terms, whereas the IdeAction encourages dropping down Hayakawa’s ladder of abstraction.
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Maybe Im Wasabi〽️
@maybeimwasabi
c) I know what you mean - I wonder about this often and am afraid that it’s what turns off people from participating in art, going to museums etc. but then I think - the same goes for any profession, right? At a high enough level, it does become hard to understand or communicate certain concepts in a super simplified
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Maybe Im Wasabi〽️
@maybeimwasabi
..way. I’ve tried to experiment a bit here - on unknownwomen.xyz I created an FAQ style artist’s statement, intentionally for this reason. May have still overshot a bit with too much content…(not trying to advertise my work btw genuinely sharing something i’ve been thinking about ie simplification of language i
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mark mollé
@marmo.eth
Or perhaps this is a larger meditation on the art of being unknown. Or the difference between being unnamed and being unknown. Even someone who is unknown is named as unknown. These images have numerical names. What does it mean to be known? Is it the case that, in some sense, these images are known more by the AI?
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Maybe Im Wasabi〽️
@maybeimwasabi
Yes perhaps :) I had an interesting idea actually whereby I would allow first-time holders to name their piece. In the past, many works of art were not named by the artist but by the patron.
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