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Galerie Met
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We are thrilled to present the upcoming AI exhibition “Synthetic Realities: Authenticity in the Age of AI Imagery,” featuring works created using artificial intelligence by ten international artists. The show is presented by Galerie Met x Prompt Forum and sponsored by Kaiber. The opening reception will take place next Friday, May 23, from 6 to 9 PM – you’re warmly invited to join us! Synthetic Realities: Authenticity in the Age of AI Imagery Chen Zirui Anna Condo (@a1111ac011d0) Uglyy Fruuit icysaw Jess Mac Maciej Miliszkiewicz (@mmiliszkiewicz) Niklas Poweleit Isabelita Virtual Mind Wank (@mindwank) Lilan Yang Opening: May 23, 2025, 18:00 – 21:00 May 24 – June 07, 2025 Mariannenstrasse 33, 10999 Berlin In collaboration with @verse Sponsored by Kaiber
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The authentic self is the you that can be found at your absolute core. It is the part of you that is not defined by your job, or your function, or your role. It is the composite of all your unique gifts, skills, abilities, interests, talents, insights, and wisdom. It is all your strengths and vaues that are uniquely yours and need expression, versus what you have been programmed to believe that you are “supposed to be and do.” It is the you that flourished, unselfconsciously, in those times in your life when you felt happiest and most fulfilled. – Dr. Phil, Self Matters: Creating Your Life from the Inside Out
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The rise of AI-generated imagery forces us to reconsider what authenticity means in a world where the synthetic and the real seamlessly blend. Traditionally tied to an artist’s presence, the verifiability of a captured moment, or originality, authenticity now faces new questions: Who—or what—is the author of an AI-generated image? Does authenticity lie in intent, process, or result? If an AI-generated image moves us, provokes thought, or unveils hidden structures within our world, does it not achieve a kind of truth?
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Galerie Met
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These questions, though dressed in a progressive concern, misfire at their core. The appeal to “authenticity” is not a genuine engagement with art or subjectivity—it’s a symptom of a cultural regression. The artist has never owed anyone their “authentic self,” because that self is a fiction: a managed construct, a sustained performance. The recent obsession with being “real”—in art, in life, in algorithmic output—is less a pursuit of truth than a symptom of control. This is the soft tyranny of the authentic, a truth that is not actually explored but continually under surveillance and judgement, an ideal that doesn’t exist.
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