Fantasy World Lilacs & Champagne Emil Amos and Alex Hall of the instrumental post-rock band Grails launched the side project Lilacs & Champagne in the early 2010s to delve into cinematic, sample-based music similar to instrumental hip-hop. Their electronic textures influenced Grails' music and Amos' solo work. "Fantasy World," the first Lilacs & Champagne release in nearly a decade, features eerie voices, ominous melodies, and dusty breakbeats. The album retains their signature heady psychedelia and dark humor. Highlights include "Ill Gotten Gains" with its spooky funhouse vibe, "Rude Dream" with its atmospheric gloom, and "Fantasy Land," which evokes a noir-inspired Madlib beat. The track "Evil Has No Boundaries" stands out for its bizarre and humorous stage banter, set to cut-up drums and guitars. "Leprotic Phantasies" features infectious rhythms and Pink Floyd-like vocals, while "Ordinary Man" offers rainy-day guitar riffs and dream-like lucidity.
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Drifts and Surfaces Elori Saxl Elori Saxl's Drifts and Surfaces is a short album featuring three commissioned pieces inspired by her time on Madeline Island in Lake Superior. It blends chamber instruments, analog synths, and nature recordings, with many sounds digitally manipulated. "Drifts I" evokes underwater imagery with fluttery tones and lake recordings. "Drifts II" has a jittery, ambient texture with dramatic harmonics. "Surfaces" features unprocessed baritone saxophone and glass marimba, giving a sense of coming up for air. The album is a cohesive blend of natural and synthetic sounds.
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How to Color a Thousand Mistakes Orcas Orcas’ new album, "How to Color a Thousand Mistakes," marks their most fully realized work since their 2014 release "Yearling." The songs are more direct and emphatic, reflecting their life and musical experiences. Highlights include "Riptide," with Pioulard's vocals against stormy guitars and keyboards. The album fits well with the dream pop and shoegaze resurgence, featuring contributions from Slowdive's Simon Scott and Mono's Dahm Majuri Cipolla. Balancing ethereal and grounded elements, the album showcases heavy guitar on "Wrong Way to Fall" and new wave touches on "Swells" and "Fare." Irisarri’s sonic detail and Pioulard’s vocals remain central, making this a welcome return for fans and a great introduction for new listeners.
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