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PKOK HYPERSUB AIRDROP #62
* Animatrix *
Motion is memory, time is texture- this curation brings together five digital works where animation becomes a language of emotion, rhythm, and code. Each piece transforms movement into meaning — exploring how pixels breathe, evolve, and dissolve across time.
From looping gestures to generative flow, these animations question what it means for art to live, reminding us that in the digital realm, stillness no longer exists — only transformation.
Delve into this thread to find out more about the immensely talented creators that provided the artworks included in this airdrop: @francoisegamma, @scorpiondagger, @lucianaguerraok, @diegomac, and @mumbleboy
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James Kerr, aka @scorpiondagger, is a Canadian artist who has redefined digital animation since 2012 by remixing art history into irreverent, witty GIFs. Merging Renaissance figures with modern absurdities, his work humorously dissects pop culture and contemporary life.
His signature animated collages have earned him collaborations with Gucci, Adult Swim, and *The New York Times*, as well as the publication of *The Book of Darryl*(2021), the illustrated, digitally-augmented story of a 16 y.o. who discovers heavy metal and the son of God in one heady summer in Roman-occupied Nazareth.
Kerr describes his work as a *mashup*—an imaginative re contextualization of forgotten artworks. Inspired by the eccentric figures of the Northern Renaissance, he breathes new life into historic characters, envisioning their lives beyond the canvas. This playful deconstruction of classical art invites viewers to see history through a humorous, contemporary lens.
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Luciana Guerra @lucianaguerraok , born in Rosario, Argentina, stands as one of the most compelling voices in contemporary Latin American art. With a trajectory marked by residencies across South America and Europe, and an impressive list of national and international awards, her practice bridges painting, drawing, and digital experimentation. Her works have been exhibited in prestigious institutions and art fairs worldwide, from Buenos Aires to Berlin, New York, and Art Basel, affirming her presence in both traditional and digital art circuits.
Her artistic language emerges from chaos, understood not as disorder but as the genesis of new realities. Through saturated colors, layered forms, and gestural traces, Guerra delves into psychological terrains—madness, illness, and death—transforming them into dreamlike, lysergic landscapes. Her art is a profound reflection on the human condition, framed by a vibrant, contemporary visual discourse.
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Diego Mac @diegomac is a Brazilian digital art pioneer who fuses dance, 3D simulation and blockchain into a striking artistic hybrid. Originally a dancer, choreographer and visual-poetics specialist, he now channels his 25-year practice into 3D and video art, dynamic NFTs and metaverse protocols. His work interrogates movement, body and time through algorithmic choreography.
Diego transforms the human body’s temporal flow into a machinic, collected sequence—questioning how presence and duration function in digital art. Ultimately, he is not simply fusing dance + digital: he reimagines the body itself. His simulated dancers transcend gender, flesh and muscle, replaced by hyper-bodies subject to new gravities, surfaces and articulations. He asks: what other bodies could dance in Web3? In the digital realm of the body, Mac invites the choreography of code.
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Kinya Hanada, known under the moniker Mumbleboy @mumbleboy, is a Japanese-born collage artist and graphic visionary whose practice melds painting, digital editing, typography, and assemblage. His trajectory began in painting studies before migrating to New York and Tokyo, where his work evolved into an idiosyncratic visual language balancing graphic discipline with poetic disruption.
Through cutouts, overlays, and unexpected juxtapositions, Mumbleboy frames narrative gaps and sparks associative reverie. His aesthetic straddles a lineage of Dada and punk collage but is unquestionably of our digital era: he adapts analog techniques into digital workflows.
What intrigues most in Mumbleboy’s work is the tension between control and entropy—how clean typographic cuts are made to collide with torn textures, how precision is disrupted by chance. He plays with legibility and illegibility, inviting the viewers to both decode and lose themselves.
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