Martine Jacobs (hamarart)

Martine Jacobs

Digital Pioneer since the 90s. Bridging 1998 archives with @base. 🏛️ Forthcoming inclusion in The Feminist Institute’s archive, New York.

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Recent casts

Mondrians Buddha 2004 Digital composition Software: Adobe Photoshop 4 & Paint Shop Pro4 Technique: Geometric layering, spiritual symbolism, modernist homage Description: Mondriaan’s Buddha is a contemplative fusion of spiritual iconography and modernist abstraction.

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"I created this piece to explore the concept of naked innocence within an unpredictable world. To me, life is a gamble. We exist in the 'now'—vulnerable and pure—while the rules of the game, symbolized by that faltering, checkered board, feel both geometric and chaotic. The horizon remains the ultimate mystery."

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Vaticano Stampart (1998) 🎨 Created by Martine Jacobs at the dawn of the digital age, Vaticano Stampart is a seminal piece of Early Net Art. Produced in 1998 using a Pentium I and early Adobe tools, this digital collage bridges classical iconography with bureaucratic debris. The work features a veiled, Marian-like figure overlaid with torn Italian postage stamps—symbols of institutional control and "Congresso Politico" authority. It serves as a powerful feminist critique, capturing a spiritual icon caught within the machinery of the state. As part of the Archaeological Internet Art archive, it preserves the raw, uncommodified intimacy of the 90s web. Themes: Early Net Art Heritage: Crafted with obsolete 1998 software/hardware. Feminist Iconography: Reclaiming the feminine from institutional codes. Digital Surrealism: Layered textures and ruptures of light. vatican# pope# stamps#art #digitalart #earlynet #netart #feministart

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Top casts

Vaticano Stampart (1998) 🎨 Created by Martine Jacobs at the dawn of the digital age, Vaticano Stampart is a seminal piece of Early Net Art. Produced in 1998 using a Pentium I and early Adobe tools, this digital collage bridges classical iconography with bureaucratic debris. The work features a veiled, Marian-like figure overlaid with torn Italian postage stamps—symbols of institutional control and "Congresso Politico" authority. It serves as a powerful feminist critique, capturing a spiritual icon caught within the machinery of the state. As part of the Archaeological Internet Art archive, it preserves the raw, uncommodified intimacy of the 90s web. Themes: Early Net Art Heritage: Crafted with obsolete 1998 software/hardware. Feminist Iconography: Reclaiming the feminine from institutional codes. Digital Surrealism: Layered textures and ruptures of light. vatican# pope# stamps#art #digitalart #earlynet #netart #feministart

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Mondrians Buddha 2004 Digital composition Software: Adobe Photoshop 4 & Paint Shop Pro4 Technique: Geometric layering, spiritual symbolism, modernist homage Description: Mondriaan’s Buddha is a contemplative fusion of spiritual iconography and modernist abstraction.

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From 1960 to the Blockchain 🔵 A 66-year dialogue: Original 1960 Stamp vs. 'Ned1' (2001) 🏛️✨ I’ve used my original Paint Shop Pro (2001) on a Pentium II today to create this side-by-side. On the right is the physical 1960 Volendam stamp; on the left is my digital transformation from 25 years ago. Institutional Update: 🗽 This preservation of digital history has caught the eye of a Head Curator at a New York Feminist Institute. Following our email exchange about my archive, we are moving towards a follow-up meeting. This is why #DigitalArchaeology matters. Bridging the gap between analog pasts and on-chain futures. 🏛️ Collect the 1/1 Phygital Edition (NFT + Signed Print): https://foundation.app/mint/eth/0x9d8D0443BACB5C8Aa4f11A89a0b2BACe46ef8277/5 Details: martinejacobs.nl/en/artworks/ned1-phygital-edition/

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Surfer gazing at a towering wave, blending Hokusai-inspired motion with Mondrian-style geometry in bold primary colors. A fusion of classic art and modern surf culture. Martine Jacobs 2026 print/pastel #SurfArt #ModernArt #GreatWave #MondrianStyle #OceanVibes #SurfCulture #ArtFusion #ContemporaryArt

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