@galeriemet

QF II 002 by Harriet Groß, on view in the exhibition True Grid until March 28. Harriet Groß, by contrast, actively distorts those constraints. Her cushioned aluminum objects present grid structures that imply stability, yet an overlying layer of painted metal mesh transforms fixity into flux. With the viewer’s shifting position, these superimpositions suspend the grid in continuous oscillation, producing a fluid structure open to multiple interpretations—maintaining the grid in a positive state of flux that echos the philosophy of Michel Serres. Harriet Groß QF II 002, 2025 Aluminium, metalstrings and metalmesh, acrylic paint 105 x 67 x 17 cm Unique

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