@galeriemet

Installation view and detail of The Shape of Time 12 by @pixelsymphony at the duo show Point Charge. On view until December 9. Pixel Symphony The Shape of Time 12, 2025 Archival print on Hahnemühle paper 29.7 x 42 cm Unique A point becomes a pattern; a pattern becomes a field; the field bends under its own logic. These drawings emerge from a computation that treats geometry as a record of duration rather than a fixed form. Each plotted point carries spatial and temporal weight. Clusters form where the algorithm accelerates and pauses open where it slows, producing a field that behaves like spacetime under pressure. Density reads as mass. Curvature follows the distribution of events. What looks static is a trace of motion, a surface shaped by the accumulation of intervals. Each drawing consists of thousands of circles positioned through iterative trigonometric rules. As parameters shift across rows, curvature, drift, and density emerge from accumulation rather than design. The sphere at the center is not drawn, it occurs. It marks equilibrium under stress, shaped by the same concerns present throughout my work: recursion, repetition, and systems operating near the edge of order. Read through Buckminster Fuller’s lens of structure as a verb, these drawings treat geometry as process. Point Charge Pixel Symphony, Manuel Tozzi November 29 – December 9 Mariannenstrasse 33, 10999 Berlin In collaboration with @verse

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