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₣₳łⱠØ₣₮Ɇ₦

@failoften

305 Following
143 Followers


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₣₳łⱠØ₣₮Ɇ₦
@failoften
Thank you! Wishing you all the best this season. 🦀❤️‍🔥
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Astrology
@ombruja
Rewards are in ✨ more art indeed! Just collected the zodiac art " Cancer by @failoften " on Astrology by @ombruja. Collect and share yours too! ♋️ /ombruja
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₣₳łⱠØ₣₮Ɇ₦
@failoften
It’s Cancer season, my own sign—whether that means recharging, reconnecting, or just riding the emotional waves, hope you’re finding what you need right now. 🦀🌊🔆
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caro.eth
@caro.eth
gm gm ✨ NYC finest @hafftka @bryanbrinkman @alyssastevens @failoften @adamtastic 🗽
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Astrology
@ombruja
GN NFT NYC 🗽🔮 app.ombruja.com
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₣₳łⱠØ₣₮Ɇ₦
@failoften
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Thank you for giving me the opportunity - you did fantastic! Looking forward to seeing you again soon
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caro.eth
@caro.eth
I spoke on my biggest stage yet 400 people at NFT NYC. I decided to read from the podium to honor the @ombruja journey and share its mission 🙏🏽 this is the mission. Thank you for the photos and video @failoften, recasting again with uploads.
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Extremely appreciative I was able to watch and document @caro.eth during her talk at /NFTNYC ❤️‍🔥
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₣₳łⱠØ₣₮Ɇ₦
@failoften
👀🎥🔥
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₣₳łⱠØ₣₮Ɇ₦
@failoften
2017: Dwight Frizzell in Casting Shadows at Artspace—interdisciplinary sound and media installation. 2018: Open Spaces—citywide festival curated by Dan Cameron. Nick Cave’s projection-mapped installation inside Corinthian Hall was a highlight. 2019: OccuAural at Agnes—open-format sound/video installation with Davin Watne, Barry Anderson, myself, and others. 2024: Influx at PLUG Gallery—we continued the sculptural/digital dialogue. This is just a slice of what’s unfolded here over six decades. KC’s hybrid timeline runs deep—and it’s still unfolding.
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₣₳łⱠØ₣₮Ɇ₦
@failoften
1966: Sound, Light, Silence at the Nelson—immersive light and sound environments. 1970s–80s: Colette Bangert’s algorithmic plotter drawings—early generative systems in dialogue with traditional media. 1998: Michael Rees at H&R Block—digital modeling fused with sculpture. 1999–2008: Grand Arts + Kemper—installation and video from artists like Isaac Julien and Barry Anderson. 2011, 2014: Narrow Margins and NEW, FOUR at KCAI’s Artspace— I curated group exhibitions featuring sculpture, projection, and time-based media from new KCAI Faculty. 👇
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Kansas City has a rich legacy of hybrid art—digital, analog, and everything between. I’m grateful to have learned from it, contributed to it, and watched it grow. We've been fusing tech and tradition for 60 years. 👇
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Day 6. Bags packed. One last breath of ocean air. Costa Rica, you’re beautiful—thank you for the sunsets, the stillness, the surprises. Pura vida. We’ll be back. 📸
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Day 5: Tree watchers and lifelong vows. 50 years for my parents. A coati cameo for the rest of us. 🥂
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Day 4: Beach jungle. Storm horizon. Morning coconuts and the slow kind of clarity.
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Day 3. Another reset. Another lush corridor to walk through. 🌿🐒 This place doesn’t ask for anything except presence. The noise is somewhere else. 🜂🜄🜁🜃 Grounded in the moment.
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Costa Rica Day 2: Success 🇨🇷🐒🌿
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₣₳łⱠØ₣₮Ɇ₦
@failoften
Jungle glitchcore, packing edition. Costa Rica mode: activated. FAILOFTEN tropical loadout includes: panther stare, neon toucan, 90s zoo dreamscape, and one very hyped 5-year-old. All-over print supremacy by way of remix chaos. Let’s gooo 🌴✈️🇨🇷
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₣₳łⱠØ₣₮Ɇ₦
@failoften
🗓️ June 12 Dispatch: Strategic ambiguity deployed. Travel prep churned. Government paperwork: stared directly into its soul. Survived the day without picking a single unnecessary fight. 10/10 productivity, zero illusions.
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