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0/ What happens when you use Ethereum not just to fund code, but culture? Here's my journey from DeFi meme animator to building a decentralized film platform on Ethereum. Trying to disrupt the old Hollywood system because it sucks. A guest thread by @pplpleasr

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1/ My first viral moment came when I made the Uniswap v3 announcement video in 2021, which got over 500,000 views in 24 hours. I minted it as an NFT and it sold for 310 ETH. But what made it historic was who bought it… https://x.com/Uniswap/status/1374069664297406467

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2/ It wasn’t a whale. It was 23 wallet addresses who spun up a DAO on the spot to pool funds and win the auction. They called themselves PleasrDAO. That sale kicked off a wave of collective capital formation we still feel today

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3/ It was a cultural moment that proved collective capital coordination on Ethereum was not just possible, but powerful. It helped inspire Juicebox protocol, PartyDAO, and more. Ethereum became a canvas for new forms of collective action.

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4/ Later that summer, I made the NFTs that crowdfunded Ethereum: The Infinite Garden, the first feature doc about Ethereum. It raised 1,036 ETH in 48 hours, funded entirely by the Ethereum community

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5/ It made me ask a bigger question: If Ethereum could fund one film, why not many? Could it replace Hollywood’s outdated, bureaucratic system entirely, and reshape how stories get made?

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6/ I started @shibuyafilm with maciej_kuciara. Our dream: a platform where creators can crowdfund, publish, and evolve stories directly with their communities. No gatekeepers. Just story, community, and code.

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7/ Our first experiment was an anime series called White Rabbit. We raised >400 ETH with a choose-your-own-adventure-style interactive experience: – Fans minted Producer Pass NFTs – Staked to vote on plot decisions directly in player – Earned an ERC20 (our attention token)

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8/ The ERC20 was issued on a bonding curve. The earlier and more engaged you were, the more you earned. Votes (like naming the main character Mirai) happened via Snapshot. Participation wasn’t just rewarded, it helped shape the story itself.

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9/ One of the parts I’m most proud of: the credits. They weren’t static, but updated in real-time. Based on contribution, fans were credited as: – Executive Producer – Producer – Associate Producer – Production Assistant (for last place, lol)

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10/ Every producer in the credits is an ENS or wallet address. The order updates live, like a ledger. It’s one of the first times Ethereum was used not just to fund a film, but to decide who gets credited in it. ENS = the new IMDb.

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