Today’s intrusive thought in realtime:
The Clipse rollout to this album has been immaculate but what’s most interesting to me is that they didn’t make a single effort to capture a new (read: younger) audience. Every interview they chose (Ebro, Elliott, GQ, etc), every clothing collaboration they did (BBC, Carhartt WIP, etc), & every content move (Colors, Tiny Desk) catered specifically to their already existing audience.

Interested to see how this translates to streams.

Aspiring Gundam pilot •
Sharing my thoughts at /blackdave •
Bringing people together at @projectpharos

3D / AR/ Full Stack Vibe Coder
https://www.mrbriandesign.com

Any mention the ‘Clipse’ (and sometimes Pharrelautomatically brings me to a frozen moment in time, walking down to Queens Blvd. to pick up a ‘vanilla dutch’ and a box of munchkins from Dunkin’ Donuts for that day’s after school (working at Chinese toy company though) and ‘Grimey’ listened to ‘Grimey’ for the first time.

*Also, most of my good leads on new music are from spotify via @farcaster Shout out to @pugson @olisplan @zinger

I haven’t even considered it down to the streaming service! Yes possibly!

Hadn't thought about that at all. Does that mean Apple Music is Gen X and Spotify are Millenials / Gen Z ?