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Mrs Dalloway
A day in the life of an aristocrat.
I reference it only begrudgingly, because this book only achieves the palest shadow of its target, but it wants to be Ulysses so badly. It is far from it.
The writing at the level of the sentence is very good, and paragraphs sometimes form into coherent sections. But at any point, the perspective might shift to another person, or to a flashback, or from pure stream of consciousness to a more structured narrative.
Ulysses can also feel disorienting and even apparently incoherent at times, but I think any decent reader will find that by the end, it has formed a meaningful whole. Mrs Dalloway does not.
All the nonsense and rigamarole of high modernism with none of its compensating virtues.
Maybe I just didn’t work hard enough at this book. But if there’s significant meaning embedded somewhere in this book, it’s deeply encoded. Seemed like cargo cult modernism and not the real thing.
If anyone loves it, please come help me understand.
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Lord Jim
Young Jim, who is not really a lord of any sort, grapples with his past.
You can flip this book open to any page, read a few paragraphs, and know you’re reading good writing. But if you don’t keep your head in the game, the entire book will feel like that.
The narrative structure is not ergonomic, and the majority of book kind of obliquely looks at its actual subject. So it’s not an easy read.
But Conrad is a master at conjuring a mood, and if you put in the work that this book asks of you, you’ll find a meaningful coherence beneath its seemingly disjointed narrative. Worst case, it’s a bunch of compelling short stories.
Don’t run to the library this moment, but if you get a chance to read it, don’t turn it down. Cautiously recommended. 1 reply
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Ethan Frome
Ethan falls in love with Mattie, the cousin of his miserable wife, to disastrous results.
It’s a lovely, tender, tight little book. It’s faithful and fair to both the strict social norms of its setting and the feelings that provide the impetus for their transgression.
While Ethan’s wife Zeena is a bit less complex than Ethan and Mattie, her unflattering portrait is perhaps the most memorable of all. But across the board the character development is terrific.
You also get an uncommonly strong sense of place from the book. If you’ve ever experienced the northeastern United States in the winter, it’ll make you reach for your warmest coat.
It’s the opposite of flashy. It lacks the garish gestures that characterize modern romance stories, and it ends in tragedy. But despite all that, in its understated way, it’s one of the most romantic books I’ve ever read. Despite all the physical and emotional frigidity, it’s kinda hot.
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