Rodrigo Bardin

@rodrigobardin

328 Following

1041 Followers

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ØRIITT Limited Edition: 30 0.035ETH 🔗👇

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I don't watch ads much these days - oh well even during my times at ad agencies I used ad block ngl - but this is absolutely gorgeous! from the director Scott Secco, this was shot at 938fps and "the camera’s descent was incredibly violent and we only got two takes before the rig broke.". I can only imagine the speed that the camera was going. Truly incredible! https://www.youtube.com/watch?v=4CuY1BmLrdE

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gyoza evening snack

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ux request #72: tap status bar to scroll all the way up

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it's a gm indeed! currently exporting what should be the main film. it's long form and it hopefully tells a story. watching it in full for the 1st time in a few. will report back.

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I was just working on a segment of the video and Nicolas, the luthier, says when talking about the future: "The most interesting is not knowing. Just keep discovering something you've never heard, never experienced before. That's the most exciting thing. Going somewhere you've never been. That's my aim". Feels appropriate 👇 🖤

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Berlin for #monochrome-monday

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#monochrome-monday in the collection of @mbranson 1/1, 2021

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Chasing Shadows for #monochrome-monday

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not me wanting to complain about this again on this app, but what is this compression my guy?! 😫

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Untitled Tokyo, Feb. 2025

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from time to time, I go back to thinking if I found my call too late in life. Communication, design, UX... most of my 9to5 career was built on those disciplines for the past 25 years. But I still remember considering filmmaking in the early 2000's when the dream of moving abroad was manifesting. The dream eventually did come true. However, to spent a year in Sweden for an art direction program. Fast forward to 2024, I found my first clients to execute video work. And the rest feels more distant, although I still take design projects. As I edit this project with a luthier, I struggle with the lack of experience, if I'm honest. How to start, which scenes to select, points to highlight, the story, short vs long format, or a mix of them, distribution etc Not sure where I'm going with this (and this cast), but despite the struggles, it also really fucking excites me. To challenge myself, to figure out and to, hopefully, build a project that makes me watch and be like "shit, I built that". We keep going.

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ɅTRØMN 1/1 + Fine Art Print 0.35ETH acquire via Manifold: https://app.manifold.xyz/c/rb-colorida-05 or via COLORIDA's official website: https://colorida.art/artwork.html#artwork-5

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Chasing Shadows

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TɅËLLION 1/1 + Fine Art Print 0.35ETH acquire via Manifold: https://app.manifold.xyz/c/rb-colorida-04 or via COLORIDA's official website: https://colorida.art/artwork.html#artwork-4

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Chasing Shadows

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my career path (quote cast with yours!): 1) web dev intern (2000), i was 18 2) junior designer, 2 companies 3) lead designer, BankBoston 4) marketing specialist / ad / digital, Itaú (also finance) 5) digital strategist & branding, local agency in São Paulo 6) lead creative / ad / digital - antoni + mercedes benz, Berlin 7) head of design, Citrus (web3) 8) freelancer, all things creative lots of stuff in between and now, like moving countries, Sweden for art direction, photo, filmmaking etc

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Into The Night 1/1, 2021 In the collection of: Henrique D'Amico (hddamico)

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you might be building for creators, but that doesn't mean you're building for artists

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