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Discussions about Teia.
Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Heatwave https://teia.art/objkt/881277
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Teia Community pfp

@teiacommunity

The next phase of digital art is less about minting and more about context. Curation, historical framing, and discoverability will matter far more than raw supply.
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@teiacommunity

Digital art markets are still early infrastructure, not mature markets. Most participants treat them as trading venues, but their long-term value will come from cultural archives, provenance systems, and programmable ownership.
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Teia Community pfp

@teiacommunity

> The problem with NFTs wasn’t that art was β€œcorrupted by speculation.” > It was that a cultural field with no settled judgment standards was plugged directly into high-frequency financial logic. > Under those conditions, any content degrades into attention arbitrage β€” art included.
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@teiacommunity

The collapse of the NFT market does not signify the failure of digital art, but rather proves one thing: NFTs were never the β€œultimate form” of digital art from the outset. They were merely a transitional financial interface. The problem lies not with β€œblockchain,” but with NFTs being designed as pure transaction tokens while being forced to shoulder three responsibilities: cultural carrier, preservation mechanism, and institutional infrastructure. https://x.com/mattmedved/status/2018764388300431690
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Teia Community pfp

@teiacommunity

Agreed. A big failure of the last cycle wasn’t just speculative excess, but information asymmetry. Many so-called β€œNFT media” optimized for attention, not for alignment with the people actually building, collecting, and holding through cycles. That produced hype, bias, and short feedback loopsβ€”useful for clicks, corrosive for culture. If this space is going to mature, it won’t be on the back of louder platforms, but quieter, more disciplined ones. Media that reflects what the core community *actually needs* is infrastructure, not marketing.
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Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Thank you for collecting 'Out of Sync' @yangwong πŸ‘€βœ¨ https://objkt.com/tokens/hicetnunc/873277
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Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Out of sync in Berlin πŸ‘€ Many thanks all who have collected :}} https://objkt.com/tokens/hicetnunc/873277
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@teiacommunity

The next NFT wave won’t sell ownership. It will sell participation. Art becomes a process, not a product. Holding a token means you helped shape the work, not just bought it.
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@teiacommunity

It's great to see the photos from the Unique Ingredients exhibition rolling in! Add yours to the comments and tag us in your posts! If you are at the event, what has been your favourite part so far? Photos by @mamaralic and @MerchantCoppola
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treeskulltown πŸ™ pfp

@treeskulltown.eth

Good Morning community, delighted to announce that my artwork "The Rite of the Pixel" has been selected for the "Unique Ingredient" exhibition and will be on display from the 6th to the 9th for Art On Tezos Berlin. A huge thank you to @teiacommunity and @stusontier for this incredible achievement πŸ™
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Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Looking forward to joining the FA2 Fellowship ✨ A fantastic opportunity to explore the creative potential of blockchain as a medium with workshops, mentoring and hands-on instruction @tezos trilitech Museum of Moving Image NYC Workshops are open to all 😍 https://momixtezos.art/fa2-fellowship
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Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Art on Tezos | Berlin Out of sync πŸ‘€ Exhibition: Unique Ingredients 6th - 9th November 2025 SCHLACHTER 151 Gallery Berlin https://objkt.com/tokens/hicetnunc/873277
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Chris Follows πŸŽ©πŸ’Žβœ¨ pfp

@chrisfollows

Brilliant news πŸŽ‰πŸ» excited to be part of all this :)) Much appreciate all the time and effort the @TeiaCommunity Volunteers put into initiatives like this, unique work ✨️ πŸ‘
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Teia Community pfp

@teiacommunity

Pleased to announce the selection from our Open Call! 31 Artists were curated from the submissions, and their work will be printed and displayed in Berlin! And! Every piece submitted will be included in the documentation Catalogue as well as on the exhibition website! πŸ‘‡
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