“Consider a future device for individual use, which is a sort of mechanized private file and library. It needs a name, and, to coin one at random, ‘memex’ will do. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.” - Vannevar Bush, 1945 (from Forget Photography by Andrew Dewdney)

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“Bad Weather” - Martin Parr (1982) … although it is something which preoccupies us, photographers have preferred not to photograph in bad weather. for Martin Parr however, “The worse the weather, the happier I am”

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great photography by Katy Grannan in NYT magazine (unpublished photo) https://www.nytimes.com/2025/10/26/magazine/sex-trafficking-girls-la-figueroa.html?unlocked_article_code=1.0E8.Wtny.MnQO4oge5deM&smid=url-share

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https://warpcast.com/erik-bulckens/0x5de8563a

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Lost in the Mists of Time #11

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sure up n take my money

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Paulisson from Brazil to the world 👌

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https://warpcast.com/paulissonmiura/0xa2931f40

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📸 👀 @obscura @objktcom

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Artist Danielle Ezzo is teaching Visual Literacy in the Age of AI, an eight-week online course at The International Center of Photography. John Berger's Ways of Seeing is used as a jumping-off point while incorporating contemporary texts and concepts. https://school.icp.org/wconnect/CourseStatus.awp?&course=24FOEHS003V

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https://warpcast.com/joellelb/0x7769f4f2

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Thank you @obscura for selecting my photo, "About last night..." for this beautiful curation! https://x.com/obscuradao/status/1840447946330116432?s=19

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Future Estate by Matthew Harvey a long-term artistic research project documenting the spatial and organisational processes of commodity production, the geopolitics of development, and the zoning practices, extractions, and transnational investments that shape the material and social environments of the present

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seen at Unseen Amsterdam photo fair Klaas Kloosterboer at Ellen de Bruijne gallery This work reflects Kloosterboer's ongoing quest to redefine how art can convey an experience. It is not concerned with the perfect depiction of the sun, but rather with transmitting the essence of sunlight to the viewer's mind. It underscores the importance of perception, action and reflection, and how these elements can lead to a deeper understanding of what it means to be human.

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