The next phase of digital art is less about minting and more about context. Curation, historical framing, and discoverability will matter far more than raw supply.
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Digital art markets are still early infrastructure, not mature markets. Most participants treat them as trading venues, but their long-term value will come from cultural archives, provenance systems, and programmable ownership.
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> The problem with NFTs wasn’t that art was “corrupted by speculation.” > It was that a cultural field with no settled judgment standards was plugged directly into high-frequency financial logic. > Under those conditions, any content degrades into attention arbitrage — art included.
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