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@tcw

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@tcw
Grow A Tree On The Timeline A 2ish year thread on how to grow a story into a studio into a tv show and a film.
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please, nsfw tag next time
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If crypto wants to disrupt, it needs to rebalance. Hollywood/modern media is the perfect place to start because it is so one-sided. Not because its 'too liberal' or even because its 'top-down', it's because the loudest people (streaming and studio heads) struggle to understand the gravity of each decision they make. Crypto has the balance mechanisms to give more power to the audience to find better actors, writers, directors, etc... Isn't that what crypto aspires too? To give chance to voices that would otherwise be overlooked in the late-stage analog world?
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But it must be something new, something exciting. People in general, but on social media especially, don't trend towards supporting (attention or financial) just based off of a moral imperative
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Don't know tbh - just the one I'm trying to solve. It is a sandbox for many possibilities, but people / market will assign which is the most valuable & highest impact
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https://farcaster.xyz/tcw/0xe93f0c5d
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Onchain opens new coordination possibilities by keeping things open (everyone on the Internet vs localized network) and transparent (the best people will commit energy and talent for the opportunity they know they’ll get a return on) Filmmaking is rotten with nepotism, favors and incomplete data, making your favorite streaming platform mid or less. Don’t you want better, new stories from new faces? I know I’m exhausted with https://media.tenor.com/7C7ryo-hCdcAAAAC/andy-dwyer-parks-and-rec
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Please share what you figure out for this
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Nothing has broken out because they were all money grabs and offered nothing different than what’s been made. 10,000 pfps and a few scenes that dont make a story will never compete with Disney or whatever Netflix has on rotation
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The Internet is upstream of Streamers --------------------------------------- Attention on the Internet is really hard. Streamers don’t make it easier on themselves: a new tv show / film / anime is posted on their platform and the interactions (views, starts, stopping points, rewatches) are all cataloged to decide if it is a hit or not. But getting people to their platform comes from somewhere else _ Timelines. Streamers compete with a laundry list of other things on any given day, not like the gated attention world of print and tv advertising. Timeline interactions + streaming platform conversion rates are also used to decide whether to continue a show or even explore proximity for related stories. Thus timelines influence the very start of filmmaking, also known as Development, all the way through to the end, known as Distribution. Click, click, decide. Filmmakers, by the way, don’t get access to this data map, so there is no way to test or even guide creation. So why don’t creatives and artists create through the Internet? https://farcaster.xyz/tcw/0xf90d8cde
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this is oddly peaceful
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feel this deeply
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I'm there and happy to supply the strong opinions to spice it up too ~ my own show creating / trying to work with a broadcaster has left me with plenty and no outlet
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We talking film / streaming related or something else?
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Woah Ben out here just living the actual dream. I’ve been to 5 stadiums. 25 to go
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Woah taking me back to a fourth grade feild trip! I can still smell the air and the old machinery / wood rot
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Absolutely! Anything media I'm there
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Faced a lot of hard truths about what I've written & designed to grow @filmatree vs the reality of the tools available & tokens this week. Sorry I still don't have the first drop game up and running to everyone that holds a Window Seat. I think I am close to simplifying it to make it easier so less effort and attention is needed for both you and I. ------- 1/1 Art is clearly the only thing that will both grow culture and maintain value/grow value on a long enough timescale where all of this scales up to include the world's population. Glad that is a focal point for @noyore & @filmatree Much much much much much much more work to do. But now I'm going for a loooonnng run
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Filmmaking Is Everything Second or third video I've seen where gen-z founders show that they understand narrative + production value gets you attention in the timeline. They understand there is nothing higher than Internet attention. What if the narrative served new story creation and the production quality always got better. Well then you'd be describing the same work that a film studio does in the analog world. Farcaster already has filmmaking talent | writing talent | visual art talent | acting talent | marketing talent | finance talent | design talent | engineering talent | crypto talent | ai talent ~ all together it looks like the elements that would make up filmmaking of tomorrow. All that is left is to bring this talent together with directional rhythm to get started (harder than I thought, especially with the tools available now, but still too necessary to ignore)
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