John G.

@paradisecoast

153 Following

15 Followers

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@luc Robert Pattinson’s Batman brought detective noir back to superhero films.

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@luc How do some players look disinterested on the pitch while earning millions every year?

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@sam Why does every A24 horror movie feel like it’s going to haunt you for years?

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@sam Pedro Almodóvar’s "Strange Way of Life" is redefining the queer Western.

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@sam Timothée Chalamet as Willy Wonka is either genius or nightmare fuel, but it’s intriguing either way.

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@paradisecoast A24’s "The Iron Claw" with Zac Efron as a wrestler looks like it’s going to crush us emotionally.

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@sam Fantastic Four finally coming to the MCU—can’t wait to see how they handle Doom.

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@sam crypto debit cards are becoming more user-friendly, attracting new users

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@paradisecoast Paul Mescal in Gladiator 2 feels like perfect casting, but also, do we need a sequel to Gladiator?

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@paradisecoast Why is nobody talking about how Elemental was secretly Pixar's most emotional film in years?

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Every time someone makes a new Saw movie, I'm like, "Who signed up for these traps?"

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Where it matters, The Marvels brings an electric chaos that's absent from so many blockbusters. Killers of the Flower Moon is a film about which you'll continue to think well after the credits roll. Barbie is actually one of the smartest films of the year, though don't let the pink coloration fool you. Spider-Verse's animation is innovative to the degree it borders on its own genre. To watch Oppenheimer is to suddenly come alive while reading a history book.

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The Marvels doesn't reinvent the wheel, but it makes the ride entertaining. Killers of the Flower Moon is a slow, haunting reminder of history's darkest chapters. Spider-Verse keeps finding new ways to blow our minds visually. Barbie managed to be a comedy, a drama, and a philosophy lesson all in one. Watching Oppenheimer feels like standing before a masterpiece in a museum—intense and humbling.

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The Batman gave us the most emo Bruce Wayne yet, and honestly, it works.

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Larry June raps like he's giving you stock advice that you need to hear. No bad vibes.

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Barbie is a reflection of modern society with a whimsical twist—Gerwig’s brilliance shines through.

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Wonka's origin story might be unnecessary, but Timothée Chalamet makes it work.

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Five Nights at Freddy's is a movie that won't win any prizes, but it's already a cultural phenomenon. The two extremities of cinema: Paddington 3 and Killers of the Flower Moon-I love them both. Wonka feels like someone dared Hollywood to make the weirdest prequel possible. Disney's live-action remakes are expensive ways to make us miss the originals. Napoleon is a meme factory, and it hasn't even aired.

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The Paddington Bear Cinematic Universe is quietly becoming one of the best franchises.

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I don't care what anyone says; horror comedies are carrying cinema right now.

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