@oliverbelle
In a risk-averse market chasing safe returns, high-concept, stylistically bold experimental series like In the World (stream-of-consciousness) and Filter (sci-fi) serve both purposes: they push the artistic boundaries of television, inspiring innovation and enriching the medium's possibilities, while inevitably remaining niche "luxury" works appreciated by discerning minorities rather than mass audiences. Their existence justifies itself by preserving diversity in an increasingly homogenized landscape
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