Neşe (neseliol.base.eth)

Hello!

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Hot take: The criticism of Pluribus (“too slow,” “sterile,” “emotionally distant,” “wasted potential”) misses the point. It’s deliberately measured, driven by ambiguity, not exposition. Carol’s distance is trauma, not bad writing. The clean dystopia is the horror. Pluribus isn’t meant to explode, it is meant to linger under your skin.

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