LoneWick

@lonewick

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597 Followers

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Wild how you can mentally handicap yourself by thinking too much. Even worse when thinking about yourself, specifically. Then you can just shatter that handicap in a matter of seconds by just doing something. Better yet, creating something.

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https://open.spotify.com/episode/1CvsHKtN3JffRa2lykAwlT?si=OaniIhcvQaOaabdA_zqfug

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https://farcaster.xyz/cristinaspinei/0x75c61e60

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https://farcaster.xyz/cristinaspinei/0xedf676a2

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'Pictures at an Exhibition' by Modest Mussorgsky is a piece of music that follows a visitor walking through an art gallery, with each section inspired by a painting from his late friend, Viktor Harmann. A simple theme returns throughout to show the listener moving from one picture to the next. The music brings each scene to life, from odd little creatures to quiet streets to towering architecture, ending with a bold final piece that feels like standing before a massive, awe-inspiring gate. The work was originally written as a piano suite in 1874 but the version often heard today is the brilliant 1922 orchestral arrangement by Maurice Ravel. https://youtu.be/uGaNsJHqnH4?si=ugB5DODvvngs-GxW

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Julian Bream playing John Dowland's 'Flow My Tears' (1596) for Igor Stravinsky https://youtu.be/aBY7szC93JU?si=VqDulkCrs-bY7YTb

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'mine but for its sublimation' by Timothy McCormack "'mine but for its sublimation' is about resonance, register, and touch. It is about where we lead ourselves when we trust ourselves. It is experiencing trust as a chain of clearings, a sequence of becomings, openings, centerings. It is about letting go; othering; finding presence through evaporation. Obliteration." https://anothertimbre.bandcamp.com/album/mine-but-for-its-sublimation

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'Zamat' by Adrián Demoč "...a 10-minute quartet for clarinet, bass clarinet and cello, which uses slightly asynchronous Korean unisons throughout." https://anothertimbre.bandcamp.com/album/zamat

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🤌 https://classical.music.apple.com/us/album/1608003040?l=en-US

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I love listening to podcasts and video interviews about the newest tech, philosophy, education on specific techniques, etc. but there is a fine line where it becomes distracting. It can make you feel like your current project isn’t moving fast enough, it’s already behind, it’s not focused enough, it’s not broad enough, you’re not thinking big enough, you need to be using the newest tool, etc. It can be disarming and prevent you from going deep or it can prevent you from keeping it simple, whatever is actually necessary. You feel like you’re getting smarter but you’re really just getting anxious. Sometimes less information is the best route when in the middle of a project. Then when that door closes, you can soak up a bunch of new information before your next project. Something to keep in mind.

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Cool audio-reactive visuals. ‘ICONICA IV (excerpt)’ by Marco Momi https://youtu.be/PRx9KggWFlw?si=62OAd1UUrvw_j2-6

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‘UNRISEN’ for SmartPianoQuintet by Marco Momi youtu.be/9mvML263Kl8?... Full description: marcomomi.com/Public/Artic...

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Subscribe to Artletter for the next post to be emailed to you. It's free🎨🫡 https://lonewick.substack.com/

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I’ve been spending too much time making a pretty and minimalistic software product. Logical, clean, idealistic. I keep getting a craving to smash something, break something for fun. I need balance. Been too many weeks out of composer mode and it’s insatiable. Can I get the same satisfaction with software? Can I make something broken, a little bit radical, or just ugly? But also with elements of beauty and rest? Something that is educated in function and form that keeps you intirgued just enough to stay or click into the next moment? A story of pure emotional material that says something deep but also nothing at all?

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https://farcaster.xyz/cristinaspinei/0x2b0a6763

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‘Two Pieces for Cello and Piano, No. 2’ by Michel Hersch https://youtu.be/KWNVvrbh1WU?si=x3YeBImIQbc6-juk

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This is one of my favorite pieces. ‘c/m/y/k’ by @ryab

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https://farcaster.xyz/cristinaspinei/0x104fedde

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There’s only one rule to being extroverted: You MUST be funny.

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