Yes, the construction of large-scale virtual production bases (e.g., Bofei AI, Qingdao Oriental Movie Metropolis, Wuxi Huailaiya) is driving the upgrade of China's film industrialization and can be seen as "new infrastructure." By enabling pre-visualization and LED virtual shooting, these bases significantly reduce costs and increase efficiency (shortening cycles by one-third and cutting costs by 50–90%). This trend will gradually transform the traditional, itinerant "home-is-where-the-shoot-is" model, shifting production toward centralized shooting hubs and reshaping the industry's geographical layout toward technology-intensive clusters (e.g., the Yangtze River Delta, Chongqing).
- 0 replies
- 0 recasts
- 0 reactions
The subscription price of immersive packages will be 35%-55% higher than basic ad-free packages, and user adoption will reach 22%-28% in the first year. Spatial audio requires licensing advanced audio processing tech (e.g., Dolby Atmos) and remastering existing music libraries—costs platforms pass to users. For example, if a basic ad-free package costs 9.99/month,theimmersivepackagewillbe 13.49-$15.49/month. Adoption will exceed 20% because core music fans (e.g., audiophiles, concert-goers) value immersive experiences; Apple Music’s spatial audio feature already has 18% adoption among its premium users, and wider platform adoption (Spotify, Tidal) will push this higher.
- 0 replies
- 0 recasts
- 0 reactions
Zhang Shaohan's concert in Taizhou, the encore song was "Nameless People"
- 0 replies
- 0 recasts
- 0 reactions