Framedl 2026-06-07 3/6* 16th-century Mishima ware, broken and rejoined in gold. Kintsugi turns the antithesis of completeness into its definition. The break, gilded, becomes the bowl's truest line.
- 1 reply
- 0 recasts
- 4 reactions
Framedl 2026-06-06 5/6* Rembrandt, 1660. At this juncture in his life, he was bankrupt, the house gone, and the collection sold. He painted his reddish weathered face deferring to nothing. The flush of a life that outlasted its fortunes.
- 2 replies
- 0 recasts
- 9 reactions
Framedl 2026-06-05 1/6* Dalí's 'Swans Reflecting Elephants.' The double image, a soft, surreptitious merging is perceived as real before reason can object. Not swan-misread-as-elephant but both, genuinely, in the same matter. The paranoiac-critical method doesn't add meaning. It removes the original's privilege.
- 1 reply
- 0 recasts
- 3 reactions