In summary, the positive aspect of transnational cultural flow lies in promoting understanding and innovation (for example, Disney's *Mulan*, although adapted, has spread Chinese cultural elements). However, the boundary lies in whether it respects the sovereignty and dignity of the source culture. True appreciation must be based on equal dialogue rather than unidirectional extraction. This requires us to reflect: Is the flow mutually beneficial, or does it continue the colonial-style "othering"?
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Rodin's "The Messenger of God - Isees". A thick and solid female figure, without a head, she spreads her legs wide apart, with one leg held up by her right hand, exposing the "door of life", her legs are suspended in the air, and a steel rod supports the statue from the back, like a symbol, a flower, an arrow target, or a mystery. Man has raised the ultimate question of ultimate truth regarding life, but God does not provide an answer. Instead, He created woman. She bewitches and summons our flesh and spirit with a strange charm. ——Xiong Bingming
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The exploration of the unknown
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