kingd.eth

@duaneking

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Still obsessed with Athenian fractions...

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Naturally Spineless - Minor Science (2016) https://minorscience.bandcamp.com/track/naturally-spineless-2

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New Transbohemian States, Antek Walczak, 2013

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TV-Helmet (Portable Living Room), Walter Pichler, 1967

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Come to daddy, TP-7...

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Xerox Alto, 1972 A commercial for the Xerox Alto, the first computer designed with a GUI interface that borrowed from the desktop metaphor. Designed at Xerox PARC in Palo Alto, California.

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Picturephone, Bell Labs, World’s Fair 1964

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Yamaha frog 750, Hartmut Esslinger / frog design, 1985

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Apple Macintosh touchscreen tablet prototype, Hartmut Esslinger / frog design, 1984

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TRMNL was begging for MacPaint

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Computer Lib / Dream Machines, Ted Nelson, 1974

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Studies for UN General Assembly Murals, East Wall (Scrambled Eggs), West Wall (Bugs Bunny), Fernand Léger, 1952

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Music for Nine Post Cards - Hiroshi Yoshimura (1982) https://hiroshiyoshimura.bandcamp.com/album/music-for-nine-post-cards

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All Watched Over by Machines of Loving Grace by Richard Brautigan I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony like pure water touching clear sky. I like to think (right now, please!) of a cybernetic forest filled with pines and electronics where deer stroll peacefully past computers as if they were flowers with spinning blossoms. I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace. Originally published by The Communication Company in 1967

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Hollow Place, Tanya Preminger, 1997

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Round Balance, Tanya Preminger, 2008

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Original Mac Team, George Crow, Joanna Hoffman, Burrell Smith, Andy Hertzfeld, Bill Atkinson, and Jerry Manock, 1984

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Musicolour, Gordon Pask, 1953-7 Musicolour was a projection wheel controlled by a servomechanism that was the first cybernetic art machine created by Gordon Pask, English cybernetician and psychologist. The Musicolour system was inspired by the concept of synesthesia and the general proposition that the aesthetic value of a work can be enhanced if the work is simultaneously presented in more than one sensory modality.

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