Designus

@designus

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I currently rank #209 on The Leaderboard. Where do you rank?

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Gn ✨ With the work of Sam Lock. Lock’s preoccupation with ‘the presence of absence’ is evident throughout his works. Inspired by the works of Samuel Beckett and Harold Pinter, the equivalence of the spoken word and protracted silence influence Lock’s practice. His painterly language of abstract marks and signs contribute to an exploration of the ways silence and interval might be iterated visually. 1/2 ↓ 🖤🖤🖤

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Gn ✨ With the work of Asger Dybvad Larsen. 1/3 ↓ 🖤🖤🖤

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I currently rank #1000+ on The Leaderboard. Where do you rank?

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I currently rank #1000+ on The Leaderboard. Where do you rank?

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I currently rank #1000+ on The Leaderboard. Where do you rank?

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Gn ✨ With the work of Emanuele Ravagnani. 1/2 ↓ 🖤🖤🖤

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Thank you so much! 🙏🖤🙏

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https://farcaster.xyz/vortac/0x0f31372b

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Gn ✨ With the work of Tom Holden. Both ephemeral and energetic, the pictorial gesture of Tom Holden’s works is minimal at core, condensing a multitude of disparate phenomena through essential line and colour. Poetic and rational modes visibly coexist, resulting in subtle distortions that unexpectedly engage perception, as abstraction suddenly reveals a latent figurative layer or a cryptographic element. 1/2 ↓ 🖤🖤🖤

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Sans titre .22 — 2017/22 From my Alter Ego on /rodeo-club Research/Exploration on textures & materials for various publishing & personal projects. Mixed media: ink, acrylic, felt-tip pens, charcoal, photography… Handmade. Scanned. Digitally redesigned. https://rodeo.club/post/0x7f3Af36f7fcEf51DA5B3cAa657f3d5DC25cECfB4/37

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#monochrome-monday #mono « wip.100424 » by @gpitombo The aesthetic of this work evokes for me the emergence of order from chaos, a classic theme in generative art that finds particularly refined expression here. This composition recalls certain natural textures such as rain or crystallization processes, as well as scientific data visualizations. The minimalist approach emphasizes the algorithmic process itself rather than colorful or decorative effects. This work perfectly illustrates the fundamental principles of generative art by demonstrating how beauty can emerge from simple mathematical rules and by exploring state transitions as an artistic subject in its own right.

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Gn ✨ With the work of Travis Medford. 1/2 ↓ 🖤🖤🖤

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Gn ✨ With the work of William Larson. « Fireflies » series (1969–1978) were some of the earliest digitally generated works of art. Larson utilized a technology new to the time to present a dynamic way of image making that extended the vocabulary of montage. 1/2 ↓ 🖤🖤🖤

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Gn ✨ With the work of Jean-Philippe Lagouarde. A slow, precise, and repetitive technique, with unpredictable results, is at the heart of his approach. Using a box cutter, he slices thousands of thin strips of dyed blotting paper and adheres them contiguously on a frame. By choosing this medium of the past, he opts for a base that is essentially accessory, a base which, unlike creation itself, functions primarily to absorb an overflow of ink. Persistent ink fills the space as the artist arranges the void in a frame. The blotting paper, an unstable and fragile medium, is thus ennobled. It gives a dynamic nature to each of his works, affected by light, air, and time. And that is for the best, because it is, above all, a work about the imperfection that the artist seeks by inviting in the unknown, even up to his choice of colors, and their potential instability. 1/2 ↓ 🖤🖤🖤

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Gn ✨ With the work of Allison B. Cooke. 1/2 ↓ 🖤🖤🖤

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