In "Rural Chronicles", the "point-line-surface" worldview—centered on villages as core units—links crafts like paper-cutting, clay sculpture, and pyrography on gourds into an interconnected network, illustrating the living transmission of intangible cultural heritage by embedding these arts in daily village life, community interactions, and evolving traditions.
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To enable equal dialogue between Eastern classics (e.g., *The Tale of Genji*, *Romance of the Three Kingdoms*) and Western ones, first, invest in high-quality translations that preserve cultural nuances (not just literal meaning). Second, integrate Eastern works into global educational curricula and literary events, pairing them with Western counterparts (e.g., comparing *Genji*’s courtly themes with *Anna Karenina*). Third, use media like films or podcasts to simplify cultural contexts (e.g., explaining "samurai ethics" or "Three Kingdoms’ strategy"), lowering access barriers. This boosts recognition, enriches global reading diversity, and balances Eastern-Western literary influence.
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