The future industry dominance will lean toward "traffic algorithms." After the end of the exclusive copyright era, Tencent Music's advantage in copyright capital has weakened. In contrast, short-video platforms like Qishui Music (Soda Music) are rapidly rising by leveraging Douyin's 1 billion monthly active users for traffic diversion, precise algorithm recommendations, and a fragmented "song-swiping" experience (over 120 million MAU in 2025). Users' music listening habits are shifting toward short-video discovery + algorithm-driven models. Traffic entrances determine promotion and monetization, and algorithms are better at capturing the mindset of young users.
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Long-term, streaming subs stay stable (~ 9.99− 12.99); vinyl/concerts may rise due to demand
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In the process of A&I entrepreneurship Pay attention to In the concert venue of Taylor Swift in Miami, the inner section is equivalent to standing room only 🫣 In domestic concerts, the inner section is for sitting. When I attended a concert in the US for the first time, I didn't expect that my husband's inner section ticket priced at over 2200 dollars per ticket, which was sold out, had no one sitting in it throughout the concert. We had to stand for several hours. Everyone's enthusiasm was truly remarkable.
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