Anthony Perez (anthonyperez)

Anthony Perez

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Recent casts

Brigitte Bardot on Maria Pergay's Magic Carpet couch in an episode of Sacha Distel's show. In March last year, the iconic piece sold at auction for $163,800, and a few months later, Maria herself passed away. During her life, she worked with leading fashion houses such as Givenchy, Fendi, Pierre Cardin, Christian Dior, and Hermès, and also made a huge contribution to the design of steel furniture.

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What great form is 94-year-old Clint Eastwood in! "Juror #2" is very good: it keeps you on the edge of your seat from start to finish. This is the story of a man, an ex-alcoholic, whose life has changed: he attends meetings, doesn't drink, and he and his wife are expecting a baby soon. One day, he is called to the jury in a high-profile case: the murder of a woman. The case seems quick, and the prosecutor (goddess Toni Collette) is sure of it, too. All the evidence points at the girl's boyfriend, and almost everybody is convinced that he is guilty. Everybody, that is, but one. The movie is well thought out, clear, the acting performances are great, the plot is perfect - in general, God bless Clint; he's still on top.

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This is me trying to explain what I meant without fully understanding what I meant.

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The problem I came upon working within Substance is the following: I find objects that interest me and that I would like to show, but sometimes I don't know what to say. Perhaps they have a history or are part of an important context, but within my narrative, sometimes they sound superfluous, which leads me to a dead end. Moments like these make me feel like the description of the object is for nothing, that it doesn't add anything to the plot or atmosphere. Then I question whether it is even worth the time describing it in the first place.

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Paul Schrader is looking for an assistant and describes the position as "crap and ice cream," which can be interpreted as "carrot and stick." The successful candidate must have at least a college degree (even Schrader requires a diploma), have a solid understanding of film history, and be strong enough to carry film reels. The director plans to start preparations for a new film in December. Only those living in New York and the surrounding areas are eligible, so most of us are out of luck .

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