📁internet 
 └📁Art
     └📁ethereum
          └📁Art
               └📁farcaster
                    └📁framed Art 🖼️

It’s a Citroën Traction Avant. It literally means “Front wheel drive” (my old neighbor had two, even went on holiday trips with it):

musician: gigameshmusic.com | dev: github.com/gigamesh

It’s a Citroën Traction Avant. It literally means “Front wheel drive” (my old neighbor had two, even went on holiday trips with it): https://en.wikipedia.org/wiki/Citro%C3%ABn_Traction_Avant?wprov=sfti1

Tezos

Brillo-pad salesperson level two.
Digital artist on Rodeo. IRL abstract mixed-media artist.
bit.ly/FlintRodeo
bit.ly/DwyerArt

fluidkey

Working on my Fluidscore. As of today 😉.

product lead apps, social, and creators @base

How do I send in batch from Temple wallet? I have Setzeyk + Pukpyko + Talisman.

I still have the Talisman 🧿 and the Pukpyko 🪼

TIL that Vattenfall (the Swedish 🇸🇪 Energy⚡️ Company) was pivotal in the development of car 🚗 seatbelts 💺 (by studying employee accidents and enforcing a solution 🤯)

TIL that Vattenfall (the Swedish 🇸🇪 Energy⚡️ Company) was pivotal in the development of car 🚗 seatbelts 💺 (by studying employee accidents and enforcing a solution 🤯) 
https://en.wikipedia.org/wiki/Vattenfall?wprov=sfti1

Electronic Music

“Instabilizer” by @kerimsafa might be one of the best ‘music videos’ I’ve seen 🤯🤩:

Pixel, Sound ■ https://linktr.ee/kerimsafa

“Instabilizer” by @kerimsafa might be one of the best ‘music videos’ I’ve seen 🤯🤩: 

https://superrare.com/artwork/eth/0xa00956e8Db4919950aF19E4B0Bf39679b64e9957/3

Media composition since 2007. Architect in Max/msp/jitter/m4l, PD, Grasshopper3d, p5js, NFT creator. linktr.ee/v4w.enko

A generative photographer working at the intersection of imperfection and curiosity.

PFP uses my @stoopidavatar — links can be found at celadoor.xyz

And please share the artworks. I think @v4w-enko would like to know as well 😉

BRND

HIGHER

I just created my /brnd podium of today:

🥇Farcaster - @farcaster
🥈Higher - /higher
🥉Tip ‘n Earn - @tipn

A sufficiently decentralized social network. farcaster.xyz

Turning likes into money since April 2025 | Created by @kompreni & @niftytime.eth | PFP by @ekaitza | CA: 0x5bA8d32579A4497c12D327289A103C3ad5b64eb1

Farcaster

Building an AI x SocialFi app @reachbot /getreach | Open-source human-readable EVM data https://github.com/3loop/loop-decoder

And I love the ability to learn from your post and the comments (even though it’s quite over my head 😉)

Small river. I can see it from our house and it’s a 2 minute walk to an old bridge with this view.

illiterate enjoyer of crypto and AI art | linktr.ee/buffets.eth

5) Human work will lean more towards verification than generation. But even the act of verification may be automated. I therefore prefer the concept of taste—the ability to discern what is useful, aesthetic or simply good, cultivated not just from aggregated data but also through wrestling with the subjectivities of our lived experience. When anything and everything can be easily generated by AI, good taste becomes even more fundamental for verification, curation and management. 

6) Since good outputs from AI require well-defined context windows, the ability to recognise, parse and frame different contexts well will be a superpower. Context-switching becomes the new multi-tasking.

I didn’t have specific memories of the movie, but when we were in the Universal Studios Florida Park a couple of years ago we did the JAWS ride twice in a row. It was very dated, but so much fun, especially because of the human actors. You see some of it in the background in this post

Today is the 50th anniversary of “Jaws”.

Steven Spielberg’s film made the summer blockbuster and was a masterclass in creating suspense in a monster thriller.

We don’t see the shark until 81st minute of the 124-minute film (65% way in).

It was a stroke of luck: the original https://t.co/xcpak6owoV

Trung Phan

Executive Editor, Sherwood.news, writes Numlock.com, author of You Are What You Watch

I didn’t have specific memories of the movie, but when we were in the Universal Studios Florida Park a couple of years ago we did the JAWS ride twice in a row. It was very dated, but so much fun, especially because of the human actors. You see some of it in the background in this post https://x.com/trungtphan/status/1936093519439184208?s=46&t=l69bNGXsI5r6Rw7Uj5ZPLQ

Nobody’s asking for another social network.

And yet… here we are. Daily. On Farcaster.

The question is: who’s actually here—and what are they here to do?

Because this isn’t just a smaller Twitter. The people showing up here aren’t just posting.

They’re shipping mini-apps.
Launching products. 
Sharing their art. 
Shaping culture.

They’re not just here to scroll.
They’re here to move something forward.

⸻

Being on Farcaster—and reading Read Write Own by Chris Dixon—something clicked.

We’re not just switching platforms. We’re entering a transformational era.

Web2 is owned by a handful of companies.
They harvest the engagement, pocket the revenue, and can deplatform you without warning.

And I found myself asking:
Where do I want to build?

That’s when Farcaster stopped feeling like an app—
and started feeling like a foundation.

⸻

The DAU on Farcaster aren’t normal.

They’re innovators—the sharp 2.5% who show up before the crowd.
No social proof required. No case studies needed.
Just the edge—and the urge to try what’s next.

They’re not here to consume.
They’re here to ship, to test, to share and to be seen by the right people.

Because for them, early isn’t risky. It’s irresistible.

⸻

And it shows in the work.

Let’s break it down by who’s actually here—and what they’re trying to get done.

⸻

👷‍♂️ Builders
• Be Seen: “I want other builders to notice, respond, and push me further.”
• Find My People: “I want peers who ship and share in public.”
• Earn: “I want signal fast—users, feedback, maybe even my first paying customer.”
• Make Meaning: “I want to build on something that reflects my values—open, portable, creator-owned.”

⸻

🎨 Artists
• Be Seen: “I want my work to resonate—recasts, reactions, not just likes.”
• Find My People: “I want a scene that gets the weird stuff and rewards taste.”
• Earn: “I want to be tipped, commissioned, or invited into something bigger.”
• Make Meaning: “I want to create in a space that feels aligned with my creative values—not just optimized for reach.”

⸻

📣 Content Creators
• Be Seen: “I want to be known as someone who curates the pulse.”
• Find My People: “I want conversations that sharpen me, not clout-chasing.”
• Earn: “I want my content to open doors—collabs, projects, clients.”
• Make Meaning: “I want to grow a voice in a space that respects ownership and originality.”

⸻

Some of us read Read Write Own and saw ourselves in it.

Not just because it’s a better internet—
but because it’s the one we want to help build.

⸻

This isn’t theory.
It’s the start of a map.

Because when we don’t understand who our daily casters are—or why they’re here—
we risk sending the wrong signals.
We refer the wrong people.
We churn the curious but unaligned.

Farcaster is still in its innovator phase.
That’s not a limitation.
It’s a stage.

The product, the culture, the cadence—
it all works best for people who show up early, shape things, and stay curious.
These are not casual users.
They’re co-creators.

If we can get clearer on the Jobs To Be Done right now,
we can better attract more people like the ones who are already thriving here.

And maybe more importantly:
we can prepare for what comes next—with eyes wide open.

⸻

If you’re building on Farcaster—or building for it—this is worth thinking through.

Because innovators aren’t just gold.
They’re the only audience that matters at this stage.

Going mass too early isn’t bold—it’s misaligned.

So let’s get sharper together:

Who are Farcaster’s daily casters—really?
What are they here to do?
And how might we grow this platform without losing the magic that makes it work now?

Would love to hear how you see it @ted @dwr.eth @linda @nounishprof @adrienne @pichi @humpty.eth @inceptionally @tldr @jessepollak

“Early isn’t risky. It’s irresistible.”

Early crypto and AI fake image maker GANs since 2018. Exhibited at @superrare, 
@expandedart, @sovrn curated
https://bardionson.com

Looks like a very interesting crowd. I can imagine you enjoyed it!

pkok art

I'm living la vie virtuelle @VIRVIE. Passionate about 🖼️ #netart, #web3, /// and 🚗💨. FID#8558, CYD#66+#768. For more, see https://nf.td/almar

Almar van der Krogt

@almar.eth