cover maquette for the exhibition catalog: “Henri Matisse - Lithographies rares” (1954) gouache on paper, cut and pasted

'Protocol of Contact' just found its home! First time sharing this forensic archive here: it’s a video installation exploring machine yearning through paper, silk & sound. Many thanks to @kaprekar.eth and @colonnacontempo -- a joy to see this latent data materialize into a physical sale so quickly! Sound on!

◾ ◽ #monochrome-monday b&w photograph of a scarf i designed in connection with a hybrid physical/digital installation for "Syntax of Sorrow", a group exhibition opening on friday, curated by @colonnacontempo

'Probeblatt' (1960) by Geiger Rupprecht

'Untitled' (1970) by Mitsuaki Sora color woodcut

*Eliza Roberts

*Julie Mehretu

cozy nativity scenes feel passé, sharing the Melun Diptych (1452) by Jean Fouquet, arguably the most surreal painting of the renaissance looks like a sci-fi fever dream, but every strange detail was actually a massive XVth century flex here's to bizarre art, and weird & wonderful holidays 🤍✨

1 of 4 𝙏𝙝𝙞𝙣𝙠 𝙤𝙛 𝙮𝙤𝙪𝙧𝙨𝙚𝙡𝙛 𝙖𝙨 𝙙𝙚𝙖𝙙. 𝙔𝙤𝙪 𝙝𝙖𝙫𝙚 𝙡𝙞𝙫𝙚𝙙 𝙮𝙤𝙪𝙧 𝙡𝙞𝙛𝙚. 𝙉𝙤𝙬, 𝙩𝙖𝙠𝙚 𝙬𝙝𝙖𝙩'𝙨 𝙡𝙚𝙛𝙩 𝙖𝙣𝙙 𝙡𝙞𝙫𝙚 𝙞𝙩 𝙥𝙧𝙤𝙥𝙚𝙧𝙡𝙮. — 𝘔𝘢𝘳𝘤𝘶𝘴 𝘈𝘶𝘳𝘦𝘭𝘪𝘶𝘴, 𝘧𝘳𝘰𝘮 𝘔𝘦𝘥𝘪𝘵𝘢𝘵𝘪𝘰𝘯𝘴 sharing a handful of images from the specatcular m.c. escher exhibition in paris

'Untitled' (1973) by Paul Jenkins

1 of 6 sketches from his composition book (1946-47) by Mark Rothko ink on paper

𝙒𝙚 𝙗𝙚𝙘𝙤𝙢𝙚 𝙬𝙝𝙖𝙩 𝙬𝙚 𝙗𝙚𝙝𝙤𝙡𝙙. —𝘔𝘢𝘳𝘴𝘩𝘢𝘭𝘭 𝘔𝘤𝘓𝘶𝘩𝘢𝘯 i like how the mise en abyme visualizes the 'narcosis' McLuhan talked about: the way we numb ourselves by staring endlessly into our own technologies... TV Tautológia (1990) by Peter Rónai

planting seeds on paper so they can take root in the world Octavia E. Butler, notes for 'Parable of the Talents' (1996)